It’s easy to feel like a monster if pain is hoarded as a weapon or an intangible, strategically shifting blob. The most entitled people usually win that battle. If they say a mistake can’t be rectified, what’s the point of being in each other’s sphere?

You don’t owe people anything if the punishment for a real or imagined crime is greater than the crime itself. There is no mistake that would be improved by your suffering. If people ask for suffering instead of growth, they are dangerous.

I don’t know your situation. People get cut out for all kinds of reasons. But if people are saying things about you instead of to you, they aren’t your friends, in the most practical, pragmatic sense. This isn’t a virtue judgment on either party. Good or bad is irrelevant. Everyone needs friends for the place they are in life or they won’t grow, even a damaged person, especially a damaged person.

The way shit is set up, most people are doomed to make a lot of mistakes. But sometimes those are the people with the most insight and the most empathy and they contain the possibility of becoming better friends than the people who had everything line up for them. What’s the point of someone who never fucked up?

Monster and victim are huge ugly curses pasted on our ordinary, small lives. You’re just a person like everyone else, and you need to live. With time you will gain perspective on what happened. If you need to improve yourself, do it. If you were exploited, you will learn to protect yourself. But most of all, you have to live.

Aw thanks for loving the girls 💜 We’ve all moved on to different projects but the INNOCENTverse continues here in other forms.

Yeah, the ending is so bittersweet…Devi’s song is perfect for it. I'm sure you can imagine a good adventure for them in the place of artifacts, and the happiness of their reunion.

Ultimately there wasn't enough support to make more episodes. I also needed time to get better at managing longterm projects, it took me years to get the housing/nutrition/medical stuff I needed to properly execute bigger work. I hope the next games/books in that universe will give satisfaction!

Good taste!! The font is Avería, which means damage or failure in Spanish, and was made from many fonts averaged out. I first used it in my game Their Angelical Understanding, but as I redesigned my blog this year, I wanted it to be a luxurious place for people to read. I tried various boring but readable fonts, then I found an unusual thing about Avería, which is, normally a font with even a slight quirk is incredibly hard to read large amounts of text in—but Avería eludes that issue, it is readable but dreamlike, vaguely hallucinatory, unreal, and yes, wriggly, wormy. Not to mention fun, romantic, unique. Which makes it perfect for my FUN STORIES

When I was very young, a lot of things seemed gross, especially because adults presented them as diseased and banal. But then I read materials that gave me more aesthetic versions of those things, and bodies and cum and faggotry became beautiful.
And yeah people treat violence as exceptional, shocking, when for a lot of people it’s very ordinary. Even in the absence of explicit violence, the radiation of it is everywhere, and it hurts to be told otherwise when one is sensitive. I never write something of any genre if I can’t find the reality in it. Fantasy, scifi, doesn’t matter, I can only enjoy it if it’s real.
So I’m happy these aesthetic blueprints or pressure depth cocktails could widen the aperture of bearable reality. Thank you for reading. 💜

You have two options
1) I have a stupid thick back catalog so you can surrender to chaos. This is fun but unpredictable.
2) For my personal recommendation: Serious Weakness if you like torture/horror/romance. For something less heavy, Low Kill Shelter is horror romance but not as dark.
But I’m fond of anything I’ve written in the last couple years. The stories page on my site is good. I also have a story guide here with some tags and genres.

And thank you, I had a really good week. Sometimes I’m too sickly to respond to letters as soon as I’d like, but I appreciate them, and hope you enjoy what you find!

The paperback is the same as the digital version, I unified them shortly after. I don't think anyone who read it on release will need to re-read it, except for the bonus stories. When you’re really into a story, you slurp up sentences in big mouthfuls, you crack them open to find the meaning, to get to the soft bits that dissolve beyond any technical skill of the reader or writer.

There's probably a few new lines, but for the most part a final edit like this is barely noticeable to the reader, a back-end improvement that quietly enhances the luxury. Subtle strengthening in characterization, and the kind of chiseling where a 70% good sentence becomes 90% good, etc.