Ouh oUHH okay

Manga:

1. Atsushi from natsuyuki Rendezvous - His character is more tragic than the story gives him credit for, I get that it's about shimao's development but there's such depth in atsushi's character and the ending didn't do justice to show that bc wtf do u mean he just has to get over it, no resolve whatsoever, he loses at the end and it's not a good thing js bc "shimao gets to move on" rolls eyes

Rofan:

1. Henry from YEL - I love his character a lot because he is such an interesting character, he doesn't get a love interest and also gets a rlly shitty ending where he's just kind of brushed off? But I think he adopts this little girl and their dynamic is so cute that i might kill myself if they don't make a spinoff centred on those two? I mean his character is such a serious part of the moral (anti-war) because he depicts the fruitlessness and the almost vulnerability that prompted the type of situation they're in. In that, after the war, it never really ended because they're now like damaged toys. I love how he interacts with the characters around him, and the journey of realisation and how that epiphany helps him understand more about himself and his relationship with those around him, especially ML & his extended family. I'm really sad we didn't get a lot of him at the end, like fuck the romance, WHAT ABOUT HENRY

2. Not rlly a character but the relationship dynamic between the fl/ml in wind on a dry branch makes me think a lot about the fleeting part of a relationship and how grief can be remediated with space and time rather than aggressive and often unhealthy, impulsive and insecure relationships

3. Nocturne, it was all a mistake - I LIKE HIS CHARACTER he really is just a weird guy
   3.5. Alice.. honestly all of the characters. I really love them and could talk about them in depth esp w how well they loop into the story

4. Millard - Rev princess eve. - Didn't so much like the other characters but millard is sort of a hidden gem, his circumstances are taken quite seriously in the story and the way millard deals with it and such is very fascinating and also a pretty cool comparison to the way Mikhael deals with the same type of (fetishism? per se) but the story with mikhael is more urm, sensationalised and unserious

5. Agatha duhhhhhhhhh

6. Adelheid & Rose - so many intersects n different journeys of the woman's experience, such a curious dynamic i love it

Modrom:

1. Seasons of Blossom - honestly i forgot but i used to talk about the characters in depth but i havent read it in ages since it ended

2. Jung - citt, he's just my favourite type of character, so much to say xox

there's more i forget tho </3