I've been thinking abt this question a lot... It's almost easier for me to answer what dynamics I don't write rather than ones I do like to write? My stories (or at least, my intent in my stories) tend towards intimacy at extremes - on one hand, surprising moments of connection between strangers; on the other, I'm really always interested in this idea of what comes after love - how intimacy and proximity engender a whole spectrum of feelings, positive and negative, maybe too many to just call it one thing (like love)... And how does one survive them... Does that answer the question?