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AWH pt4: it could simply be that i have a supreme distaste for the standard qualities (not the exceptional qualities) of anime and vg. in my (bourgeois?) aesthete mind i think "why should a powerful communist war epic (or any fiction which Does History) compromise itself with the inanity of those standard qualities?" also.. to me the "tell don't show" approach is patronising to the reader (and you say yourself that "readers of serial fiction are dumb and impatient".. why not expect more of them?)
because guns and mechs and boobs are cool and righteous; because a norm about the use of indirect vs direct description is both a key into a certain kind of classed, postured writing and also a decision about what is important between subtext v text. immediacy is sometimes vital, you can talk directly to experience without anxieties and second guessing it, the book also does have implication and suggestion and deep interiority (that routinely people seem to miss lmao) but not for the things it deems it important to be direct about. ujd is demanding on a reader but on the problem of 'how do you objectively relate to life transformed' rather than 'how do you subjectively relate to a partially known Other'. it just doesn't care about the same thing! both are interesting questions but i like it sticking to the first and using 'show dont tell' as a rule when you're so clear about what you do care about is just a bit basic
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